Sunday, May 7, 2023

Chindi

Chindi is the third novel McDevitt's Academy series. But fortunately, you don't have to read the other books to enjoy (or hate) this one Chindi stands on it's own.   

On a routine survey mission studying a neutron star, an Academy starship discovers an alien transmission, but can't track it's origin.
 
Five years later, a satellite finally encounters the signal again, which inspires the Contact Society, a wealthy group of enthusiasts to launch an expedition to track it's origin.  Providing a starship to the Academy to be piloted by Captain Priscilla “Hutch” Hutchins, the Contact Society embarks on a mission to find the source of the transmission.

The novel proceeds like a slow motion scavenger hunt across multiple star systems. And I do mean "slow" McDevitt brilliantly describes the settings, capturing the wonder and awe of alien starscapes. But totally fails with character development.

On page 335 McDevitt explicitly states the recurring theme of the book: 

There have been studies over the years supporting the proposition that groups composed entirely of women usually made intelligent decisions, that exclusively male groups usually did a bit less well, and mixed groups did the most poorly of all.  It appeared that, when women were present, testosterone got the upper hand and men took greater risks. Correspondingly, women in mixed groups tended to revert to roles, becoming more passive and going along with whatever misjudgement the males might perpetrate.

I've seen a few studies on groupthinking and I think this can be true when the women are of lower social rank, new to a group, or subordinate employees. But NOT when the woman is accomplished in her own right, achieves a rank as high as starship captain, or is the only experienced person in a group of amateurs. McDevitt misapplied the theme, and diminishes his heroine, his starship captain, to behaving like teenage schoolgirl desperately trying to fit in with the 'cool kids'. The reader wonders how she ever achieved the rank of captain.

Definitely NOT the way to write a memorable heroine, especially not in the 21st Century.

The other characters are given detailed backstories as they are introduced. (Essentially infodumps) But by the time you're way into the novel half are dead (due to stupid decisions) and rest feel interchangeable. And the frequent POV shifts do nothing to distinguish one from another. 

The conclusion was a major disappointment. The author wrote himself into a corner with the final rescue. And instead of showing how his heroine resolved it, he skipped over it to the point after she had been rescued. And the mystery of the Chindi is left unresolved.

Definitely NOT how I'd write an epic space adventure.



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